等待愛麗絲－ Vu Duc Toan & Phung Tien Son 的藝術家座談與演出

活動日期：2025-08-13 至 2025-08-17

地標：台北市大同區甘州街25號、 Taipei, Taiwan 103 （25.05891，121.5129）地址：台灣103009台北市大同區甘州街25號8 月 17, 2025 2:00:00 下午等待愛麗絲－ Vu Duc Toan & Phung Tien Son 的藝術家座談與演出 ​ For English, please scroll down ​ 日期｜2025／08／17 時間｜ 座談：入場 13:00，開始 14:00 演出：入場 16:00，開始 16:30 地點｜打開−當代藝術工作站 (台北市大同區甘州街25號） 演出藝術家｜Vu Duc Toan (越南)、瓦旦塢瑪、陳憶玲、高琇慧、江源祥

＊本活動將以英文進行，並視現場情況進行中英口譯 The event will be conducted in English, with interpretation provided as needed. ​

文｜ Vu Duc Toan & Phung Tien Son

一群藝術家聚集在甘州街 25 號，這裡曾是「東生商店」。他們的行動不明確，又或許只是等待的時候打發時間。 ​ 「東生商店」在這條街上已有一個世紀的歷史。它最初是一間雜貨店，1989 年冬天被一戶自中國大陸移居而來的家庭接手。他們保留了許多店鋪的原貌，但也做出了顯著的改變。圍繞店鋪的一排木瓜樹幾乎被完全砍掉，而隨著時間推移，販售的商品種類逐漸減少。一年之內，「東生商店」僅剩下兩種主要商品：葵花籽和橡皮筋。 ​ 在店鋪的閣樓裡，一名小女孩練琴的聲音常常迴盪至深夜，間或夾雜著父親嚴厲的聲音。與此同時，街坊的小孩會照慣例聚集在店鋪下聽音樂。妻子雖然算不上傳統意義上的美人，卻像仙子一樣令孩子們著迷。每當她攤開手，總會有免費的糖果與葵花籽。偶爾，當孩子們看見她那身形魁梧的丈夫從閣樓走下來時，會嚇得跑開。 ​ — 本活動屬於 2025 年《蜿蜒集－台越交流計畫》之一環，由越南藝術家 Vu Duc Toan、Phung Tien Son 進駐台灣期間發展而成，延續了台越兩地的藝術交流與行動路徑。在本次活動中，兩位藝術家將首先以對談形式，分享作為 Nha San Collective成員的經驗；隨後，Toan 將與台灣行為藝術家進行演出。 ​ ​ —— ▸ 蜿蜒集−台越交流計畫 「打開−當代藝術工作站」與來自越南河內的藝術單位Nhà Sàn Collective、Á Space、ba-bau AIR，自2023年展開「蜿蜒集－台越交流計畫：河內」，以藝術家的田野調查作為交流計畫的行動主體，並以蜿蜒穿越北越山脊和平原的紅河作為想像－藝術家徘徊於由曲流沖刷出的紅河平原上，開啟於當地人文地理、自然環境、社會政經等面向的田野踏查，形成以個人行動路徑拓樸而成的檔案集。 ​ ▸ Vu Duc Toan Vu Duc Toan 主要從事行為藝術與裝置藝術創作。他的創作實踐關注觀眾與表演者之間的關係、社會儀式，以及那些已經結束、或連結過去與現在的歷史脈絡。他畢業於越南美術大學（Vietnam University of Fine Arts）藝術史與理論系。自 2005 年至今，Toan 一直擔任越南美術協會（Vietnam Fine Arts Association）的雜誌編輯。2010 年，他與 Nguyen Huy An 共同創立 Appendix Group，一個以河內為基地的行為藝術團體。 ​ ▸ Phung Tien Son Phung Tien Son 生於 1990 年，現居並工作於河內。他的創作涵蓋影像、聲音、裝置與行為藝術，並將傳統根源與片段化的歷史轉化為另類的詮釋方式。 ​ ▸ 瓦旦塢瑪 1958年生，新竹縣尖石鄉泰雅族原住民。政戰學校政治系畢業。2000年起，參與「國際身體表演藝術節」等行為藝術節製作，並於2004年發表《禁止攝影》（臺北華山）後，陸續展開行為藝術作品，受邀於「日本國際行為藝術節」（2004-2006）、「台灣國際行為藝術節」（高雄2004、高雄／臺北2005）、「澳門國際行為藝術節（MIPAF）」、「搞關係：兩岸行為藝術家交流」、「拉美三國亞洲行為藝術節」 （聖地牙哥、瓦爾帕萊索、布宜諾斯艾利斯、蒙地維多) 、愛爾蘭與北愛爾蘭國際行為藝術節 (庫克城、都柏林、北法斯特)（以上2005）等。 ​ ▸ 陳憶玲 大學畢業於天安門事件發生的1989年，隨即跟隨師長拍攝台灣九O年代的野百合學運、環保、農民、工人等社會運動的紀錄片，引發個人對社會議題的關注。自2005年嘗試以行為藝術創作，透過身體與物件關注不同的議題。近幾年作品則多聚焦於自身的人生課題。至今受邀參與台灣各地、日本、韓國、菲律賓、泰國、香港、澳門、北京、深圳、西安、青島等地之行為藝術活動。 曾為資深劇場工作者，現職為小地方SEAMS專職服務員。 ​ ▸ 高琇慧 美術、戲劇與行為藝術。 2022 台東行為藝術駐村 2023 call to arms 吶喊／行為藝術 2024 聲波薩滿／行為藝術 2024 黑色／行為藝術 2025 小地方／行為藝術 ​ ▸ 江源祥 ​ 台中貓蚯蚓咖啡廳老闆、行為藝術創作者暨洪荒之力文化創傷工作室負責人，專注現場藝術、青年次文化、身體勞動與環境生態，以集體行動解構空間、活化廢置場域。作品《台北靡靡》、《新營_海鷗》、《廣場》三度獲台新藝術獎季提名，並參與國家攝影中心、戲曲夢工場及兩廳院 Taiwan Week 等重要展演 ​ ​ —— 主辦｜打開−當代藝術工作站 共同策劃單位｜Nhà Sàn Collective 合作單位｜Á Space & ba-bau AIR 參與藝術家｜ 台灣：林安琪、江源祥、廖烜榛&黃奕捷、P.M.S. 越南：Duy Anh Nguyễn, Đinh Nhung, Đinh Thảo Linh, Kieu-Anh Nguyen, Nguyễn Hoàng Thiên Ngân, Phùng Tiến Sơn, Nguyễn Quốc Thành, Vũ Đức Toàn 贊助單位｜國家文化藝術基金會

—— Waiting for Elise− Vu Duc Toan & Phung Tien Son’s Artist Talk and Performance ​ Date｜2025／08／17 Time｜ Artist Talk: Entry at 13:30, starts at 14:00 Performance: Entry at 16:00, starts at 16:30 Location｜OCAC (Open Contemporary Art Center, No. 25, Ganzhou St., Datong Dist., Taipei) Performance Artists｜ ​ Vu Duc Toan (VN), Watan Wuma, Yiling Chen, Hsiouhui Kao & Chiang Yuan-Hsiang

＊The event will be conducted in English, with interpretation provided as needed. ​ ​ Text｜Vu Duc Toan & Phung Tien Son ​ ​ A group of artists gathered at No. 25, formerly the Dong Sheng Shop (東生商店) on Ganzhou Street. Their actions were unclear, or perhaps they were just passing the time while waiting. ​ The Dong Sheng Shop had been located on this street for a century. Originally a grocery store, it was taken over in the winter of 1989 by a family who had immigrated from Mainland China. They retained many aspects of the shop but also made significant changes. The row of papaya trees surrounding the shop was almost completely cut down, and over time, the variety of products available gradually diminished. Within a year, the Dong Sheng Shop only sold two main items: sunflower seeds and rubber bands. ​ In the attic of the shop, the sound of a young girl practicing the piano echoed late into the night, accompanied occasionally by the stern voice of her father. Meanwhile, the neighborhood children would gather below the shop, as was customary, to listen to the music. The wife, though not conventionally beautiful, was like a fairy to the children. Whenever she opened her hand, there would always be free candy and sunflower seeds. The children sometimes ran away in fear when they saw her husband, with his imposing figure, coming down from the attic. ​ — This event is part of the 2025 “Meander Maps.” Developed during Vietnamese artist Nguyen Quoc Thanh’s residency in Taiwan, it continues the creative exchanges and collaborative journeys between Taiwan and Vietnam. In this event, the two artists will first engage in a conversation, sharing their experiences as members of Nha San Collective. Afterwards, Toan will perform with performance artists from Taiwan. ​ ​ —— ▸ Meander Maps Since 2023, Open-Contemporary Art Center has collaborated with Hanoi-based art groups Nhà Sàn Collective, Á Space, and ba-bau AIR on the “Meander Maps” project. This project centers on artists’ field research as the main form of exchange, drawing inspiration from the winding Red River as it traverses the ridges and plains of northern Vietnam. Artists wander through the Red River, shaped by the river’s curves, and conduct fieldwork that explores the region’s human geography, natural environment, and socio-political context. Through their personal journeys, they create a collective archive. ​ ▸ Vu Duc Toan Vu Duc Toan works primarily with performance and installation. His practice engages with the relationship between audience and performer, social rituals, and contexts from historical time periods that have ended or bridged the past and the present. Vũ Đức Toàn graduated from the Department of Art History and Theory, Vietnam University of Fine Arts. From 2005 to present, Toan has been an editor at the Vietnam Fine Arts Association, working at magazines under the Association. In 2010, Vu Duc Toan and Nguyen Huy An founded the Appendix Group, a group of Hanoi-based performance artists. ​ ▸ Phung Tien Son Phung Tien Son was born in 1990, lives and works in Hanoi. His practice spans video, sound, installation and performance. He converts the traditional roots, fragmented histories into alternative interpreters. ​ ▸ Watan Wuma Watan Wuma, born in 1958, is an Atayal Indigenous artist from Jianshi Township, Hsinchu County. He graduated from the Department of Political Science at the Political Warfare Academy. Since 2000, he has participated in the production of performance art festivals such as the “International Body Performance Art Festival.” Following the presentation of No Photography (Huashan, Taipei) in 2004, he began creating a series of performance art works. He has been invited to numerous events, including the “Japan International Performance Art Festival” (2004–2006), the “Taiwan International Performance Art Festival” (Kaohsiung 2004; Kaohsiung/Taipei 2005), the “Macau International Performance Art Festival (MIPAF),” “Getting Connected: Cross-Strait Performance Artists Exchange,” the “Latin America–Asia Performance Art Festival” (Santiago, Valparaíso, Buenos Aires, Montevideo) and more. ​ ▸ Yiling Chen Graduating from university in 1989—the year of the Tiananmen Square Incident—Yiling soon followed her mentors in documenting Taiwan’s major social movements of the 1990s, including the Wild Lily student movement, environmental protests, and labor and farmers’ struggles. This experience sparked her enduring concern for social issues. Since 2005, she has been exploring performance art as a medium, using the body and objects to engage with various topics. In recent years, her work has increasingly focused on personal life questions and introspection. She has been invited to participate in performance art events across Taiwan, as well as in Japan, South Korea, the Philippines, Thailand, Hong Kong, Macau, Beijing, Shenzhen, Xi’an, and Qingdao. A former seasoned theatre practitioner, she is currently a dedicated staff member at SEAMS, a little bar in Taipei. ​ ▸ Hsiouhui Kao Visual arts, theatre, and performance art. 2025 Small Place — Performance 2024 Black — Performance 2024 Sonic Shaman — Performance 2023 Call to Arms — Performance 2022 Taitung Performance Art Residency ​ ▸ Chiang Yuan-Hsiang Owner of Taichung’s Catmaoworm Cafe, is a performance artist and director of Potestas Creative Cultural Trauma Studio, He organizes amateur performance art workshops across Taiwan, focusing on live art, youth subcultures, bodily labor, and environmental shifts. His practice uses collective action to deconstruct spaces, revitalize disused sites, and create unconventional landscapes through experimental body/material interactions. ​ ​ —— Organizer｜Open Contemporary Art Center Co-Organizer｜Nhà Sàn Collective Partners｜Á Space & ba-bau AIR Participating Artists｜ Taiwan: Ciwas Tahos, I-Chieh Huang & Xuan-Zhen Liao, P.M.S. & Yuan-Hsiang Chiang Vietname: Duy Anh Nguyễn, Đinh Nhung, Đinh Thảo Linh, Kieu-Anh Nguyen, Nguyễn Hoàng Thiên Ngân, Phùng Tiến Sơn, Nguyễn Quốc Thành, Vũ Đức Toàn Sponsor｜National Culture and Arts Foundation