活動日期：2025-07-12 至 2025-07-19
地標：台北市大同區甘州街25號、 Taipei, Taiwan 103 （25.05891，121.5129）地址：台灣103009台北市大同區甘州街25號7 月 19, 2025 7:00:00 下午好機｜葭村太一個展
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這檔展覽是藝術家葭村太一（Taichi Yoshimura）的個展，他以木雕作為創作媒介，關注城市與公共空間中所遺留的痕跡。長期以來，他特別著迷於其中的塗鴉痕跡，並在近年開始認真面對「參照塗鴉」這件事所伴隨的諸多挑戰與複雜性。
本次展覽的起點可追溯至2021年，葭村在當年接觸到來自臺灣的街頭藝術家「HorumonBaby」（大腸王），並在與其及其他塗鴉創作者的交流過程中，開始深入思考諸如「在公共空間中留下表達意味著什麼？」、「以這些痕跡為基礎進行創作，是一種怎樣的行為？」等問題。
不久之後，HorumonBaby（大腸王） 在社群媒體上的一則貼文意外引發爭議，帶出匿名性、著作權、表達自由與觀點差異等複雜議題。這些事件也逐漸成為葭村創作中重要的主題線索。
本展嘗試透過木雕的形式，將葭村在此過程中所經歷的種種疑問與內在拉扯具象化，讓那些難以言說的糾結與反思得以被看見。
展期｜2025.07.19（六）— 2025. 08. 10（日） 開幕講座｜2025.07.19（六）19:00
開放時間｜週三至週日 14:00-20:00／週一至週二、國定假日休 地點｜打開−當代藝術工作站 （台北市大同區甘州街25號）
藝術家｜葭村太一 策展人｜池田佳穗 合作｜HorumonBaby（大腸王）、郭奕臣、馬君馳 協力｜OCAC (Open Contemporary Art Center)
░ 藝術家簡介 葭村太一，1986年出生於日本兵庫縣，2009年畢業於大阪藝術大學設計學系。創作以「人的痕跡」與「記憶」為主題的雕塑作品。近年持續發展一系列將城市街景中透過 Google 街景搜尋到的塗鴉，重新以木雕形式轉譯的作品，嘗試將平面的塗鴉轉化為具有深度與立體感的表現手法。近期參與的重要展覽包括 BankART Life 7（2024，神奈川）及 Frieze Seoul 2023（2023，首爾）。
taichiyoshimura.com
░ 策展人簡介 池田佳穗，獨立策展人。曾任森美術館策展助理，於 2023 年起開始獨立策展工作。目前亦擔任共享工作室 Yamanaka Suplex 的共同節目總監，並為 Art Center BUG 及神戶六甲遇見藝術 2024 beyond之客座策展人。近期重要策展計畫包括《BUG School 2024：以野感感知城市》（BUG，2024）以及「分享會：獨自前行？更快抵達？走得更遠？一起死去？」（Yamanaka Suplex，2024）
————————————————————————————————— High Tide－Taichi YOSHIMURA Solo Exhibition
This exhibition is a solo show by Taichi Yoshimura, an artist who creates woodcarving works based on traces left in urban and public spaces. In recent years, Yoshimura has earnestly confronted the challenges of “referencing” graffiti—an expression he has long been particularly drawn to among these traces.
The starting point of this exhibition dates back to 2021, when he encountered a Taiwanese street artist known as “HorumonBaby.” Through this connection and his interactions with other graffiti writers, Yoshimura began to reflect deeply on questions such as: “What does it mean to leave an expression in public space?” and “What kind of act is it to create a work based on such traces?”
Later, a post by HorumonBaby on social media unexpectedly sparked controversy, bringing to the surface complex issues such as anonymity, copyright, freedom of expression, and differing perspectives. These events have become key motifs in the works presented in this exhibition.
This show is an attempt to give form to the questions and inner conflicts that arose through that process—making them visible through the medium of woodcarving.
Exhibition Duration｜2025.07.19 (Sat.) — 2025. 08. 10 (Sun.) Opening Talk｜2025.07.19 (Sat.) 19:00
Hours｜ Wednesday—Sunday 14:00-20:00 Closed on Mondays and Tuesdays Venue｜ OCAC (No. 25, Ganzhou St., Datong Dist., Taipei City)
Artist｜Taichi Yoshimura Curator｜Kaho Ikeda Cooperation｜HorumonBaby, Kuo I-Chen, Ma Chun Chih Collaborative partner｜OCAC (Open Contemporary Art Center)
░ Artist｜Taichi Yoshimura Born in Hyogo Prefecture in 1986. Graduated from the Department of Design at Osaka University of Arts in 2009. Creates sculptures based on the themes of human traces and memory. In recent years, has been developing a series in which graffiti found in cityscapes via Google Street View is collected and reinterpreted as wood carvings. This practice explores giving depth and three-dimensionality to flat graffiti. Major exhibitions include BankART Life 7 (2024, Kanagawa) and Frieze Seoul 2023 (2023, Seoul).
░ Curator｜Kaho Ikeda Independent curator. After gaining experience as a curatorial assistant at Mori Art Museum, she began working independently in 2023. She is also a program co-director of the shared studio Yamanaka Suplex, and a guest curator at the Art Center BUG and the “Rokko Meets Art 2024 beyond” art festival. Recent major curations: “BUG School 2024: Feeling Cities with Wild Sense” (BUG, 2024) and “Share Meeting: Go Alone? Arrive Faster? Aim Further? Die Together?” (Yamanaka Suplex, 2024).